I teach an independent study course at the college where I work through the English department (even though I’m a math teacher) which is called COMP 399: Long Form. Basically, if a student is working on a fantasy novel and wants some help on improving it, they can ask for an independent study with me and we work on it during one semester. They have to produce new pages, revise the first 50 for a partial submission package, write a plot synopsis, query letter, pitch, etc. In the end, they have a good chunk of the book done and the materials they’ll need for submission to agents and editors once they finish and revise the book. Of course, many topics about writing get discussed during the bi-weekly meetings for this course, and something of interest came up at the last meeting.
Everyone knows about word economy—use the most effective word or phrase, cut as much verbage as possible, trim it down so the prose is as tight as possible, etc. My current student had this issue at the beginning of the semester (I think I said he needed to cut about 50% of everything I’d read up to that point). Basically, he said it one way, then would say the same thing again in a different way in the next sentence or paragraph, etc. He didn’t need all of that. And he said this past week that he’d learned a lot about word economy. This got us discussing my previous student (who’s a friend of his; they’ve been exchanging critiques of each others’ novels), and I said his friend didn’t have the word economy problem so much, instead he had scene economy issues. And I realized that I haven’t seen much about scene economy out there.
Basically, the same ideas regarding word economy work for scene economy. You don’t want to have two scenes, taking care of two issues, when one scene will do (just as you don’t want to use two words when one will do). For example, suppose you have a scene where you want to emphasize that a character, who also happens to be the king, has a strong religious belief. So you have the king in the church, perhaps kneeling before the altar, praying, revealing his current troubles with the kingdom as he tries to find a solution in his mind as he prays. A fine scene. Nothing wrong with it whatsoever. It even satisfies the “two things in a scene” rule, since you’re emphasizing a character element about the king while also laying out the problems he faces as he prays.
Now suppose that you have another scene where the king is discussing those same problems with the kingdom with his steward, say in the throne room after a lengthy council session with his lords. The discussion isn’t going well, since the king isn’t really listening to what the steward is saying, so he’s getting irritated and angry, and the problems aren’t being resolved. Another perfectly fine scene satisfying the ‘two things in a scene” rule, since again you’re covering the problems of the kingdom and you’re bringing in the fact that the steward and the king aren’t getting along, something that could lead to betrayal, regicide, who knows?
In any case, the point is that why have both scenes when you can cover all of it in one? Why not have the steward and king retiring from the council session to the king’s private chambers, talking as they go, the steward getting irritated and angry as they reach his chambers. There, exhausted by the council session and not wanting to listen to what the steward has to say, the king seeks solace by kneeling before his own private altar set up in the castle, perhaps even in his rooms. As they king begins to pray, the steward gets even more angry and irritated, because the king is obviously not paying attention.
This new combined scene is more interesting, because it heightens the emotions of the two characters to a level higher than in the individual scenes, and gives the reader a stronger conflict to focus on as the steward, the king, his reverence, and the practical issues of the kingdom all clash with each other. And in general, when you combine scenes like this, you cover more area with less space in the book. So it’s a win-win situation all around.
So when you go to revise your next novel, ask yourself whether or not you can combine scenes and focus on scene economy as you revise. You might be surprised how much space you can save, and how much stronger the writing will be in the end.